Double Controversy: Guggenheim Bilbao and MINI Countryman

by Peter D

Controversy equalizes fools and wise men – and the fools know it. -Oliver Wendell Holmes

Take US Politics, the closest thing America has to a Mexican telenovela, where one person’s ignorance is just as valuable as another person’s knowledge. Both parties, both heads of the same lobby-fueled dragon, revel in the afterglow of a suitably stirring controversy – anything to undermine their opponents rather than fight for the electorate on their own merit.

Sidenote: If you’re interested in listening to some rather unapologetic debate, try The Brothers D podcast featuring your humble author. It’s a weekly look at this crazy world we live in, including technology, world affairs, global politics, sports, and other things of interest.

The scene above, taken last month in Bilbao, Spain outside the Teatro Arriaga, was a similar hub of dispute. Hundreds, if not thousands, gathered to voice their discontent at the EU, international banks, and the country’s political parties. These micro-revolutions have been sprouting up all over Spain, and are spreading to other parts of Europe as well, most notably in Greece. They are as controversial for their initial presence as they are for their staying power and civility, even in the face of brutality. The problem was that they didn’t have anything resembling a unified message. Instead of banding together in something resembling a civilized organization, the whole discontented movement floundered in its own self-pity. It was controversy, but whether they were fools or wise men still isn’t clear, though the dust has settled.

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